|Ronald K. Brown teaching a master class at Strathmore|
When a DC critic suggested that Ron Brown’s work is shallow, I got a little riled up.
I had seen the performance she reviewed, as well as a master class Brown taught the week prior (pictured above). His artistry, generosity, and ability to merge and meld vocabularies and ideas are phenomenal. I left the performance as inspired as I left the master class.
So when I read The Washington Post article I wrote a comment. The paper decided not to post my comment so I share it below. I’m doing this to open a dialogue about what we are seeing and saying. On Tuesday, tomorrow, I will be discussing this performance and review with GWU students who were also there.
I have some guesses about what they will ask and wonder if anyone has some ideas about how to discuss these topics:
1. Why does a critic equate Black artists’ work with “comfort food” and “porridge”? Does she do this with ballet companies and white artists as well?